
I am assistant professor of Sociology at Barnard College. My book (and my dissertation research) is a comparative study of technology and futures trading, an ethnography of open outcry and electronic traders. My current research is on how art specialists price cultural commodities, particularly how categories and commensuration work in the secondary/resale fine arts market. I teach courses in economic sociology, organizations, and gender.
I occasionally consult, focusing on organizational change, the future of technology and financial markets, and environmental markets. I do strategic assessments of markets, technology and organizational design, with qualitative and quantitative components. If you are interested, please email me.
I grew up outside Chicago, and went to school(s) at Wesleyan University, USC, and Northwestern University. I currently live in New York, with a partner who is a marketing manager for an educational nonprofit. I love movies, like to cook, and I can do a mean lindy swing out. I am INTP.
Filed under: Art, Markets — Peter @ 10:11 pm
The New York Times printed an article today about David Galenson, and I have nothing really to add. Oh, wait, other than to say that:
1) Economists prey on disciplines with low self-esteem, and the fact that anyone in the art world would even bother with Galenson is evidence that art history, and the arts editors at the NYT, should stop thinking that their own work is shit.
and
2) Edward Tufte’s Beautiful Evidence has the best 2-page take-down of Galenson that I’ve seen.
For the rest of you who believe, per the article, that “…[In] the 20th century did art enter the marketplace and become a commodity, like a stick of butter or an Hermès bag,” I can only say, yawn. Pseudo-provocative economist spouting pseudo-insightful nonsense. Nothing interesting to see here, folks, move right along.