
I am assistant professor of Sociology at Barnard College. My book (and my dissertation research) is a comparative study of technology and futures trading, an ethnography of open outcry and electronic traders. My current research is on how art specialists price cultural commodities, particularly how categories and commensuration work in the secondary/resale fine arts market. I teach courses in economic sociology, organizations, and gender.
I occasionally consult, focusing on organizational change, the future of technology and financial markets, and environmental markets. I do strategic assessments of markets, technology and organizational design, with qualitative and quantitative components. If you are interested, please email me.
I grew up outside Chicago, and went to school(s) at Wesleyan University, USC, and Northwestern University. I currently live in New York, with a partner who is a marketing manager for an educational nonprofit. I love movies, like to cook, and I can do a mean lindy swing out. I am INTP.
Filed under: Art — Peter @ 10:37 pm
Summary: A study of the ontology of art prices. Art specialists act as market intermediaries who do the important work of making prices know-able. This project consists of two pieces, a quantitative analysis of the relationship between auction estimates and final prices, and a qualitative analysis of interviews with art specialists, private art advisers, and appraisers associated with the Internal Revenue Service.
This project was, in its first iteration, the subject of a research seminar I taught at Barnard College. The members of that seminar were: Whitney Wilson, Jessica Katz, Jessica Blanco, Lena Kim, Cara Ciani-Nangle, Jane Cooper, Michelle Lu, Juliette Premmereur, Emily Luski, and Maria Baibakova. Thank you for your support, you were the most interesting class I’ve taught at Barnard.